Writers like William J. Bell resisted moving to the longer format. It took The Young and the Restless four years to regain its place in the ratings following the switch in 1980. Not every show could keep up. For some, the added time exposed creative and production limits that proved hard to overcome.
The shift to an hour didn’t just reshape how soaps were written—it quietly determined which ones would endure.
I break down this turning point in daytime history, and why its impact still lingers.
In 1975, the network announced that Another World would expand to a full hour, with the expectation that it could set a new standard across daytime. Lin Bolen, NBC’s vice president of daytime programming, acknowledged the gamble in unusually direct terms for the New York Times, noting that the network was “violating an old show business principle by tampering with a hit” in hopes of revitalizing the genre.
The justification wasn’t purely economic—at least not on the surface. Bolen argued that audiences had grown more sophisticated and that the traditional half-hour format no longer delivered enough narrative momentum. “A complaint has been that the stories progress too slowly,” she said, suggesting that a 60-minute format would allow for richer character development and more fully realized scenes.
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